Most great buildings have one or two good new ideas at their heart, supported by a framework of the tried and true which has been tweaked and tuned and subtly shifted to accomodate this single shining stroke of genius. Often they're very good ideas--but never before has it been demanded that the architect dream up every single good idea he puts into a building, in a spirit of false originality, which boils down to a frantic, bare and often featureless novelty.
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